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Amanda was
probably born Alain Tapp in Saigon (or France?) in 1939, but it might
have been Hong Kong in 1941 or 1945 or even (as she now claims) November
1948. She's apparently of mixed parentage, at various times she's claimed
to have British,
French and Indonesian fathers, and English and Russo-Oriental
mothers. The only thing really certain is that she was destined to become
another of the gorgeous young transsexuals to emerge in France during
the '60's, and was later was an icon of the 1970s'. After an education supposedly in Switzerland and England, by 1959 at latest Amanda had moved to France - still a tall, gangly and rather Asian looking boy. Radically transformed by hormones and a nose job, she first became publicly noticed in 1960 when she started working as an exotic showgirl and stripper known as Peki d'Oslo at the Le Carrousel revue in Paris.
Her exotic looks
soon attracted the eye of Salvador Dali, and
she was to became his regular companion and muse for many years.
In 1963 she had her sex change operation, carried out in Casablanca by Dr Bourou, it was probably paid for by Salvador Dali. She soon afterwards moved (back?) to England where she quickly became part of the trendy "Chelsea Girl" set. She bleached her hair blond with great effect and in 1965 she was signed by a model agency. It wasn't long before she was cat walking for top designers and appearing on magazine covers, but her modelling career was increasingly hampered by rumours of her transsexuality.
In the '80's and '90's Amanda continued to record and perform her music, although she was unable to repeat the success of her early disco albums. However she successfully started two new careers - as a painter and as a TV host. Tragedy struck Amanda in December 2000 when her home in France burnt down, killing her husband and destroying many of her and Dali's paintings. In February 2007 she refused to be on stage with, or even near, transsexuals at a major gay event in Milan, Italy - this caused a lot of bad feeling with the crowd and and the annoyed organisers even hinted at the "ambiguity" of her past.
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Copyright (c) 2007, Annie Richards